The Melbourne Athenaeum Library

Agatha Christie : (Record no. 92020)

MARC details
000 -LEADER
fixed length control field 03761cam a2200337 i 4500
001 - CONTROL NUMBER
control field 000072032646
003 - CONTROL NUMBER IDENTIFIER
control field AuCNLKIN
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20221018163901.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field ta
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 220101t20222022enkacfje b 001 0beng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781529303889
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 1529303885
035 ## - SYSTEM CONTROL NUMBER
System control number (OCoLC)1325674286
040 ## - CATALOGING SOURCE
Original cataloging agency QPPL
Language of cataloging eng
Transcribing agency QPPL
Description conventions rda
Modifying agency NJB
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 823.912
Edition number 23
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Worsley, Lucy,
Relator term author.
245 10 - TITLE
Title Agatha Christie :
Remainder of title a very elusive woman /
Statement of responsibility, etc Lucy Worsley.
246 30 - VARYING FORM OF TITLE
Title proper/short title Very elusive woman
260 ## - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT)
Place of publication, distribution, etc London, UK :
Name of publisher, distributor, etc Hodder & Stoughton,
Date of publication, distribution, etc 2022.
300 ## - PHYSICAL DESCRIPTION
Extent xvi, 415 pages, 16 unnumbered pages of plates :
Other physical details illustrations (some colour), portraits (some colour), genealogical table ;
Dimensions 24 cm.
504 ## - BIBLIOGRAPHY, ETC. NOTE
Bibliography, etc Includes bibliographical references and index.
505 0# - FORMATTED CONTENTS NOTE
Formatted contents note Preface: Hiding in plain sight -- Part one: Victorian girl - 1890s / 1. The house where I was born -- 2. Insanity in the family -- 3. The thing in the house -- 4. Ruined -- Part two: Edwardian debutante - 1900s / 5. Waiting for the man -- 6. Best Victorian lavatory -- 7. The Gezireh Palace Hotel -- 8. Enter Archibald -- Part three: Wartime nurse - 1914-18 / 9. Torquay Town Hall -- 10. Love and death -- 11. Enter Poirot -- 12. The Moorland Hotel -- Part four: Bright young author - 1920s / 13. Enter London -- 14. Enter Rosalind -- 15. The British mission -- 16. Thrillers -- Part five - 1926 / 17. Sunningdale -- 18. The mysterious affair at Styles -- 19. Disappearance -- 20. The Harrogate Hydropathic Hotel -- 21. Reappearance -- Part six: Plutocratic period - 1930s / 22. Mesopotamia -- 23. Enter Max -- 24. I think I will marry you -- 25. Eight houses -- 26. The golden age -- Part seven: Wartime worker - 1940s / 27. Beneath the bombs -- 28. A daughter's daughter -- 29. Life is rather complicated -- 30. By Mary Westmacott -- Part eight: Taken at the flood - 1950s / 31. A big expensive dream -- 32. They came to Baghdad -- 33. Christie-land after the war -- 34. Second row in the stalls -- 35. A charming grandmother -- Part nine: No swinging - 1960s / 36. The mystery of the Christie fortune -- 37. A queer lot -- 38. Lady detectives -- 39. To know when to go -- Part ten: Curtain - 1970s / 40. Winterbrook -- 41. The funeral -- Sources -- Acknowledgements -- Notes -- Index -- Picture acknowledgements.
520 ## - SUMMARY, ETC.
Summary, etc 'Nobody in the world was more inadequate to act the heroine than I was.' Why did Agatha Christie spend her career pretending that she was 'just' an ordinary housewife, when clearly she wasn't? As Lucy Worsley says, 'She was thrillingly, scintillatingly modern'. She went surfing in Hawaii, she loved fast cars, and she was intrigued by the new science of psychology, which helped her through devastating mental illness. So why - despite all the evidence to the contrary - did Agatha present herself as a retiring Edwardian lady of leisure? She was born in 1890 into a world which had its own rules about what women could and couldn't do. Lucy Worsley's biography is not just of an internationally renowned bestselling writer. It's also the story of a person who, despite the obstacles of class and gender, became an astonishingly successful working woman. With access to personal letters and papers that have rarely been seen, Lucy Worsley's biography is both authoritative and entertaining and makes us realise what an extraordinary pioneer Agatha Christie was - truly a woman who wrote the twentieth century.
600 10 - SUBJECT ADDED ENTRY--PERSONAL NAME
Personal name Christie, Agatha,
Dates associated with a name 1890-1976.
9 (RLIN) 4837
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Authors, English
Chronological subdivision 20th century
Form subdivision Biography.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name as entry element Detective and mystery stories
General subdivision Authorship.
9 (RLIN) 22848
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Modern history (c 1788-1914)
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Biography & Memoir
653 ## - INDEX TERM--UNCONTROLLED
Uncontrolled term Literary studies & criticism
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Source of classification or shelving scheme Dewey Decimal Classification
Item type Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection code Home library Current library Date acquired Source of acquisition Total Checkouts Total Renewals Full call number Barcode Date last seen Date last borrowed Price effective from Koha item type
    Dewey Decimal Classification     Biography Melbourne Athenaeum Library Melbourne Athenaeum Library 18/10/2022 James Bennett 6 6 823.912 WOR 071028 10/01/2024 07/10/2023 01/09/2022 Book
Melbourne Athenaeum Library
Level 1, 188 Collins St, Melbourne 3000
library@melbourneathenaeum.org.au
Tel:(03) 9650 3100
Powered by Koha   Hosted by