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Blueberries / Ellena Savage.

By: Publication details: Melbourne, Victoria : The Text Publishing Company, 2020.Description: 240 pages ; 24 cmISBN:
  • 9781922268563
Subject(s): Genre/Form: DDC classification:
  • A824.4 23
Contents:
Yellow city -- Blueberries -- The museum of rape -- Satellite -- Allen Ginsberg -- Unwed teen mum Mary -- Holidays with men -- Your dirty phony saint and martyr - Friendship between women -- The literature of sadness -- Turning thirty -- Houses -- Notes to unlived time -- Portrait of the writer as worker (after Dieter Lesage) -- Antimemoir, as in, fuck you (as in, fuck me)
Summary: Blueberries could be described as a collection of essays, the closest term available for a book that resists classification; a blend of personal essay, polemic, prose poetry, true-crime journalism and confession that considers a fragmented life, reflecting on what it means to be a woman, a body, an artist. It is both a memoir and an interrogation of memoir. It is a new horizon in storytelling. In crystalline prose, Savage explores the essential questions of the examined life: What is it to desire? What is it to accommodate oneself to the world? And at what cost?
List(s) this item appears in: Australian Biography
Holdings
Item type Home library Collection Call number Status Date due Barcode Item reserves
Book Melbourne Athenaeum Library Biography 824.4 SAV Available 061760
Total reserves: 0

"What kind of body makes a memoir?" -- Cover.

Includes bibliographical references (pages 235-238)

Yellow city -- Blueberries -- The museum of rape -- Satellite -- Allen Ginsberg -- Unwed teen mum Mary -- Holidays with men -- Your dirty phony saint and martyr - Friendship between women -- The literature of sadness -- Turning thirty -- Houses -- Notes to unlived time -- Portrait of the writer as worker (after Dieter Lesage) -- Antimemoir, as in, fuck you (as in, fuck me)

Blueberries could be described as a collection of essays, the closest term available for a book that resists classification; a blend of personal essay, polemic, prose poetry, true-crime journalism and confession that considers a fragmented life, reflecting on what it means to be a woman, a body, an artist. It is both a memoir and an interrogation of memoir. It is a new horizon in storytelling. In crystalline prose, Savage explores the essential questions of the examined life: What is it to desire? What is it to accommodate oneself to the world? And at what cost?

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