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A tear in the glass : Nina Stanton's life journey through the fine and decorative arts / Mary Ryllis Clark.

By: Publication details: Collins Street East, VIC : Anchor Books Australia, 2018.Description: xi, 182 pages : illustrations (chiefly colour), portraits ; 28 cmISBN:
  • 9780648061632
Subject(s): DDC classification:
  • 708.0092
Summary: Inspired by the way Edmund de Waal uses the netsuke in the 'Hare with Amber Eyes' as a vehicle to tell the history of a family, Mary Ryllis Clark uses nearly 100 beautiful objects, chosen by her friend Nina Stanton, not only to make symbolic connections to Nina's own exploration of her life, but also to introduce the reader to the historic, cultural and social context of the world of the fine and decorative arts in Australia. These often acute observations make a fitting legacy for the life and work of Nina Stanton. This book offers autobiographical insights into Nina's life, experiences and deep feelings. Nina was a trail-blazer. She graduated successfully from the inaugural year of the first-ever Museum Studies course in Victoria. Her consulting business was among the first in Australia to offer specialised services for museums and she punctuated her career in Melbourne with employment in Queensland, New South Wales and Norfolk Island. Hers was a life in which a great deal had been accomplished. This book reflects the professional heart and central passion of her life: the care and interpretation of objects in a collection. Nina selected objects that triggered memories of different times in her life, including antique furniture, clocks, paintings, silverware, glass and porcelain. Through them she tells her story which Mary shapes into an introduction to the fine and decorative arts. It is a story about choices and redemption, using the objects as a bridge to self knowledge and general knowledge. This book will introduce the reader to the little-known world of the fine and decorative arts in Australia and will be a valuable contribution to our understanding of the world of the curator and the place of objects in the history of Australia.
List(s) this item appears in: Australian Biography
Holdings
Item type Home library Collection Call number Status Date due Barcode Item reserves
Book Melbourne Athenaeum Library Biography large size 708.009 CLA Available 068249
Total reserves: 0

Prepublication record (machine generated from publisher information)

Includes bibliographical references and index.

Inspired by the way Edmund de Waal uses the netsuke in the 'Hare with Amber Eyes' as a vehicle to tell the history of a family, Mary Ryllis Clark uses nearly 100 beautiful objects, chosen by her friend Nina Stanton, not only to make symbolic connections to Nina's own exploration of her life, but also to introduce the reader to the historic, cultural and social context of the world of the fine and decorative arts in Australia. These often acute observations make a fitting legacy for the life and work of Nina Stanton. This book offers autobiographical insights into Nina's life, experiences and deep feelings. Nina was a trail-blazer. She graduated successfully from the inaugural year of the first-ever Museum Studies course in Victoria. Her consulting business was among the first in Australia to offer specialised services for museums and she punctuated her career in Melbourne with employment in Queensland, New South Wales and Norfolk Island. Hers was a life in which a great deal had been accomplished. This book reflects the professional heart and central passion of her life: the care and interpretation of objects in a collection. Nina selected objects that triggered memories of different times in her life, including antique furniture, clocks, paintings, silverware, glass and porcelain. Through them she tells her story which Mary shapes into an introduction to the fine and decorative arts. It is a story about choices and redemption, using the objects as a bridge to self knowledge and general knowledge. This book will introduce the reader to the little-known world of the fine and decorative arts in Australia and will be a valuable contribution to our understanding of the world of the curator and the place of objects in the history of Australia.

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